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I wanted to learn how to make paintings that brought these creatures to life.Based on the best-selling books of Author and Illustrator James Gurney, Dinotopia tells the epic story of a lost continent where dinosaurs and humans live together in an almost utopian world. I imagined that the creature would come to life at night, step off the platform and wander around the empty museum. I was bowled over to see such a fantastic and scary-looking creature and to know it was real. When I was about eight years old my parents took me to a science museum where I saw a life-size skeleton of an Allosaurus. Having graduated from UC Berkeley as an archaeology major, this was food for my imagination.īesides archaeology, my other fascination was with extinct creatures. We visited some newly discovered tombs and many remote sites of Roman occupation. On some of my first assignments I had a chance to see Rome, Tarquinia, Cerveteri, Norchia, and Populonia for an article on the Etruscans. Later, when I started working for the magazine as an illustrator, it was a golden era when National Geographic still sent its artists and art directors to meet the archaeologists on location. I had grown up studying old copies of the magazine going back to the 1920s. When I got home from my adventures, I read about explorers in National Geographic. I was an outdoor kid and spent a lot of time sailing, hiking and backpacking in the Sierras. How has the role of "Nature" played its part in your life and creative work? Much of your artwork depicts scenes of natural beauty, both present and prehistoric. I wanted to write a visual book for those readers. They don't miss a thing, and they can handle even the most abstruse philosophical or scientific concepts. I've always believed that my best, most discerning readers are young people between the ages of 10 and 20. Early on, it never dawned on me that you could actually make a living as an illustrator.
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I never met a professional artist until I was much older. The thing that I had as a young person was endless patience and focused concentration. I'm not sure I would have understood the concept of a career path when I was at a young age, but as I say, I tried everything when I was in grade school: sculpting, model making, drawing, lettering, and painting. I made my own kites and electric-powered tugboats and hand puppets, all based on how-to books that I checked out of the library.ĭid you know from a young age that art was going to be your career path? If you liked movies, you grabbed the 8mm movie camera and made your own animation or action flick. They were not helicopter parents: if you wanted to make a kite, you had to rip the kite sticks from spruce on the table saw, and if you wanted a metal toy car, you had to make a lost wax lead casting.
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My dad was a mechanical engineer, and I grew up in a house with a big workshop and a lot of tools. I'm the youngest of a family of five kids, and we had to invent our own amusements.
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Making stuff was just expected in my family. I didn't think of myself as particularly creative. Would you consider yourself someone who has always been creative? Otto Greiner: Observation and ImaginationĪ student named Avery had a few questions for me:.Mucha: 'Beauty is the Communication of Emotion'.Article on Gradients in International Artist #142.Review of Graphic Witness: Five Wordless Graphic N.Using Traffic Cones for Street Painting.Your Questions about Plein-Air Painting in Oil.